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- FINAL CUT PRO VIDEO FORMATS HOW TO
- FINAL CUT PRO VIDEO FORMATS UPDATE
- FINAL CUT PRO VIDEO FORMATS FULL
- FINAL CUT PRO VIDEO FORMATS PLUS
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FINAL CUT PRO VIDEO FORMATS UPDATE
Compatibilityĭon’t forget that although recent updates haven’t caused too many problems, it is best not to update Final Cut while in the middle of a project.ĬoreMelt reported that all their plugins work with 10.1.4. This means there is a good chance this standard will be adopted elsewhere in the world. This is good news for Final Cut Pro X users outside the UK because the AS-11 delivery standard was created in conjunction with the US-based Advanced Media Workflow Association. The same page also includes specialised Compressor presets that aid AS-11 export.
FINAL CUT PRO VIDEO FORMATS HOW TO
Alex Snelling (who wrote the standard work on Final Cut Pro X 10.1 Library workflows) has written a new document on how to prepare programmes for broadcast using Final Cut Pro X.ĭownload it from the 10dot1 website. The format they chose MXF OP1a with specific metadata which is known as the AS-11 standard. Since October 1 UK broadcasters have required that programmes be submitted as files – not on HD tape. Uncompressed either doesn’t export properly or play back properly. MXF is a wrapper format for different codecs, so you’ll find that in some cases although you can export a flavour of MXF, you won’t be able to import it back into Final Cut or play it using QuickTime Player 7:ĪVC intra HD formats and IMX SD format show as greyed out in the import window. You can also start timecode at the native value or force it to start at 10 hours or 1 hour.Īs well as MXF working in Apple’s ProApps, you can also use QuickTime Player 7 to open and play MXF files: You can also choose between 2 and 16 even numbers of audio channels at either 16 or 24 bits. MXF Optionsįor AVC-Intra you can choose between 720p, 1080i and 1080p, 50Mbit/s and 100Mbit/s. Apple’s Final Cut Pro X, Compressor & Motion MXF FAQ mentions that you can use Apple’s new Pro Video Formats 2.0 MXF export with versions of Final Cut Pro X, Motion and Compressor. If you are in the middle of a project it is inadvisable to update Final Cut Pro X, but you can still produce MXF files if you have Compressor or Motion. Need MXF export but don’t want to update Final Cut Pro X? Ripple Training’s MXF introduction and how it works in Final Cut Pro X:
FINAL CUT PRO VIDEO FORMATS DOWNLOAD
You can download MXF support directly from Apple as well.
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As well as the usual bug fixes, Apple added very useful import and export features in the form of MXF handling through the separate Pro Video Formats 2.0 installer.īoth should be available in the Updates pane of the App Store application. It was a maintenance release, not a feature update. Native import, edit, and share of MXF files with Final Cut Pro X and MotionĮxisting Final Cut Pro X, Motion 5, and Compressor 4 users can download the updates for free.The 10.1.4 update appeared on December 2nd 2014.
FINAL CUT PRO VIDEO FORMATS FULL
It also improves on the closed captioning and subtitle video and audio sync.Īnd here’s the full list of supported video codecs included in the new Pro Video Formats update:
FINAL CUT PRO VIDEO FORMATS PLUS
Cupertino has also provided some bug fixes to Compressor 4.2.1, plus the ability to export interlaced H.264 files, like FCP X. In addition, Apple offers several other features and bug fixes, including importing and editing Canon’s XF-AVC 8-bit video codec (with Canon’s plugin) export interlaced H.264 video, asset management systems a variety of 3D text bug fixes and more.Įlsewhere, there have been updates to Motion and Compressor, with Motion 5.2.2, editors will see a few bug fixes and improved stability, notably with 3D text and Motion Title templates. Other codecs Final Cut Pro X supports includes Sony’s XAVC-S, XAVC, and XDCAM (no more transcoding to edit) Panasonic’s variety of AVC-Ultra codecs JVC’s H.264 Long GOP and RED RAW processing, and, since you’ll need the horsepower to do so, it supports dual-GPUs, plus RED RAW anamorphic formats. Final Cut Pro X can also natively handle Panasonic’s AVC-Intra 4:4:4, up to 4K resolution. With support of the Sony XAVC-L codec, cinematographers and videographers using the Sony PXW-FS7 can now edit the footage, up to 4K in 10-bit 4:2:2 at 113Mbps (3840 x 2160) or 50 Mbps in HD (1920 x 1080) natively without having to convert the footage to cut. The biggest feature in Final Cut Pro X, version 10.2.2 is the native support of Sony’s XAVC-L codec, along with Panasonic’s AVC-Intra 4:4:4, both with resolutions up to 4K. Ahead of its big September 9 event - more on that later - Apple has updated Final Cut Pro X to version 10.2.2, offering some new features and bug fixes alongside the headline grabbing XAVC-L support.